Introduction to Creative Writing

  • 20h
  • PD  PRESENCIAL DUAL 
  • novedad
  •      Theresa Hottel /
  •    Este curso se imparte en: Inglés
  •    Los ejercicios se pueden entregar en: Inglés

Precio curso :

Si participas en el aula
419,50 €

(El precio del curso incluye la cuota de socio de l'Ateneu Barcelonès correspondiente a la duración del curso)

Si participas en línea
347,70 €

(Esta modalidad de inscripción no requiere ser socio del Ateneu Barcelonès)

 Consulta los descuentos y las formas de pago disponibles (aquí >>)

Do you want to learn more about the possibilities and tools of creative writing and practice applying them to your own work? Do you seek to learn and grow in a community of interested peers? This multigenre introductory course is ideal for writers who want to get started and build knowledge, dipping their toes in the water, as well as for more experienced writers who seek feedback and want to refine their craft.

Over 8 weeks, we’ll briefly cover poetry, flash literature, scripts & screenplays, fiction, and creative nonfiction. We’ll read theory and examples, discovering tools to excel in each of these genres, and also how each one grants us insights into the others. Participants will learn basic writing elements and critically analyze creative texts by masters. Additionally, participants will have 2 workshop opportunities, submitting their work on a formal schedule for class discussion.

Ultimately, our aim is to explore and create richly imagined, technically elegant writing that grabs readers’ attention. We’ll rigorously analyze published work, building our writerly perspectives: asking ourselves what effect a text has on us as readers, and then seeking to understand what choices the author made to achieve this effect. We’ll turn this same questioning eye to our own work as we write and discuss, discovering what is possible on the page.

Grupos de cursos de la edición actual

 

Theresa Hottel

Grupo S2
PRESENCIAL DUAL
Sábado 10:00-12:30 h
Fecha de inicio: 31/01/2026
EN EL AULA
EN LÍNEA

Ediciones de este curso

  • febrero-marzo
  • Read and practice writing in the main genres of creative writing
  • Deepen theoretical knowledge of basic creative writing elements
  • Learn to read like an editor: noticing creative choices in a work, including how they affect a text and how they could be adjusted
  • Gain feedback on work in progress
About half of class time will be devoted to readings of selected literature, discussions on craft and form, and informal exercises, in order to learn some tools of creative writing. The other half will be spent in workshop, in which you will submit your own writing on a formal schedule and engage in thorough, critical discussions on each work-in-progress as we describe how the work currently functions and brainstorm on what it might do differently. By being attentive, thoughtful, and passionate readers of others’ work, we will become better readers of our own drafts, and, ultimately, better writers of the work we dream to produce.
(Excerpts)
  • Adichie, Chimamanda Ngozi, Apollo
  • Akers, William, Your Screenplay Sucks
  • Baldwin, James, Go Tell It on the Mountain
  • Barthelme, Donald, The School
  • Carson, Anne, The Glass Essay
  • Charles, Jos, feeld
  • Diaz, Natalie, Grief Work
  • Dillard, Annie, Write Till You Drop
  • Gass, William, Order of Insects
  • Glaser, Rachel B. Pee on Water
  • Glück, Louise, The Wild Iris & Gretel in Darkness
  • Hayes, Terrance, American Sonnet for my Past and Future Assassin
  • Jenkins, Barry, Moonlight
  • Kelly, Donika, Self-portrait as a Door
  • Lahiri, Jhumpa, Hell-heaven
  • La Plante, Alice, The Making of a Story
  • Lin, Tao, A poem written by a bear
  • Lorca, Federico García, Ditty of First Desire
  • McKee, Robert, Story
  • Park Hong, Cathy, Minor Feelings
  • Rich, Adrienne, Nights and Days
  • Russell, Karen, Engineering Impossible Architectures
  • Salesses, Matthew, Craft in the Real World
  • Saunders, George, Rise, Baby, Rise
  • Siken, Richard, Scheherazade, Visible World
  • Szybist, Mary, There interposed a-
  • Torres, Justin, Lessons
  • Truby, John, Anatomy of Story
  • Vuong, Ocean, On Earth We’re Briefly Gorgeous.
Los campos marcados con asterisco (*) son obligatorios

Importante

  • Este servicio NO te compromete a matricularte en ningún curso.
  • Este servicio NO implica ningún tipo de reserva de plaza para ningún curso.
  • La única finalidad de este servicio es cuando se abra el periodo de matriculación para el curso que hayas escogido, te enviaremos un correo electrónico como recordatorio.
Los campos marcados con asterisco (*) son obligatorios
*escribe aquí las dudas que tengas sobre este curso